When I finally get my computer back in order, time passes quickly. The nearest bus into D.C. is a couple miles away, and the heat and my heavy workload keep me holed up, and I never make it into the city.
Instead, I stay in Herndon, taking walks when it cools in the evening to the grocery store, or to the surprisingly picturesque downtown area. Now and then I’ll step outside and the upstairs neighbors are out on the patio, and they usually invite me up for a beer or two. Friends of theirs stop by in ones and twos seemingly at random; one guy, Sham, spends hours telling elaborate and possibly apocryphal stories about his extended family — an eccentric old grandmother sitting on a mansion with cash bricked into the walls. Another set of grandparents’ gets married in India complete with elephants from Jaipur and an offer from husband to wife of the heads of the three men that had murdered her father. The wife sets them free in a fit of magnanimity, and later that night two of them are stoned to death by the villagers who had gathered to watch the wedding. The other is never heard from again. “He must have been the fast one,” says Eric, one of the permanent upstairs residents.
Early on Sunday, Storm sacrifices a good night’s sleep to drive me into the metro, and I head in to D.C.’s Union Station. Built as welcoming portals to the cities in an age when grandiosity was to be expected, the station here is as imposing and marble-faced as its equivalents in New York and Chicago. Statues line arching walls, and thick panes of glass let in the morning sun. Also like its counterparts, though, the closer you get to the actual trains, the dimmer, grayer, and more underground it becomes.
This time, the line is short and so is the wait. I board and settle into my window seat, and the world outside begins to move. The Washington Monument rises in the haze behind a sea of parking lots and anonymous office buildings, and then we’re crossing the Potomac, headed south. In Alexandria, we pass through the backyards of a red brick wall of town houses, partitioned by windows and adorned with patios and bare grass lots and old cars parked in tiny yards for lack of any streetside space.
Just past the Alexandria station there’s a building like a Phoenician lighthouse, a narrow cream-colored ziggurat amongst its more contemporary neighbors. It strikes me that there are some similarities between Salt Lake City and D.C. — both were built in inhospitable environs, desert and swamp, with grandiose vision and an unwavering faith in their respective futures. In Salt Lake, that vision was religious, with architecture and terminology coming from Christianity and Judaism; in D.C., it’s political, inspired by the great dead civilizations of the western world.
The city fades into low forests and swamps broken by the occasional field or swollen brown river. With little further variety in the scenery outside, I turn to my book — Paul Thereoux’ The Great Railway Bazaar. As Thereoux rolls through the dense jungles of Vietnam, the dense forests of Virginia and the Carolinas pass outside my window.
North of Charleston we rattle out onto long elevated tracks that pass over the widest swamps yet, punctuated by raised wooden platforms and rusty ladders ascending out of the muck.
Nine hours after leaving D.C. the train pulls into the little station ten miles north of Charleston. Stepping off the train is like walking into a sauna; the wall of heat and humidity makes me catch my breath. On a Sunday evening the buses into the city aren’t running this far out, and I get a ride in one of the waiting taxis. My cabby’s a talkative connoisseur of the city, who keeps a laptop on the passenger’s seat to take online courses when he’s not driving. He gives me his recommendations of restaurants and things to see in the city, outlines a basic walking layout, and drops me off at my hostel with a wave.
The NotSo Hostel is a surprisingly quiet place in the student district northwest of downtown, with public radio playing in the lounge, a kitchen (with free bagels and coffee in the morning), and un-air-conditioned but quiet dorm rooms upstairs. In classic southern style — it used to be a private residence — it has a wide balcony and front porch, both empty in this heat.
I spend the next full day in Charleston, stopping at cafes and libraries to work for a few hours at a stretch between exploratory walks. Venture off of the main drags and you find the coffee shops that serve the students here: you can tell a local place by its conversation. Someone comes in, joins, someone else leaves, voices hush, and the person who just left is discussed briefly: “did you hear she just moved in with …?” In the background, sounds of porcelain clinking and the hiss of steam.
In the evening I walk down along the Battery, a stretch of walkway that fronts the bay. It’s lined with ornate antebellum mansions and palm trees, and out in the harbor you can see the blocky shape of Fort Sumter under wheeling flocks of gulls. The Civil War started here: they say that when the first shots were fired the citizens of the city watched the opening hostilities from the their balconies and cheered. A century and a half later, their descendants sit as elderly and dignified as their houses, drinking and watching sailboats trace across the water.
I stop in at a place called Toast and order a platter of shrimp and grits, drenched in a buttery cream sauce, and an ice-cold glass of Belgian beer. It’s the first time I’ve had grits, and I can see why they’re so popular here in the south; they make the perfect compliment to an otherwise rich cuisine.
It’s dark when I walk back to my hostel, and it’s only then that one of the other charms of southern living is noticeable. The lights here are dimmer and warm, the buildings lower, the alleyways more frequent; here and there you see lit candles or old lanterns hanging from wooden beams on slanted porch roofs. Laundry on lines serve as privacy curtains, and look down a dark alley and you see a pool of warm light at the end, with quiet music or conversation drifting out into a night filled otherwise with only heat and cicadas. You never see more of the speakers than an occasional silhouette or movement of a head.
Tomorrow, if all goes well, I’ll board the Hanjin Palermo in the Charleston container port and begin my first transatlantic journey by sea. With the unpredictability of freighter travel, though, who knows; maybe I’ll be here another week. One way or another, I’m happy.





























































